Painting

1. You’ve been working on a large canvas for weeks and it suddenly feels lifeless. What do you do?

2. How do you feel about developing a coherent body of work around one artistic question over many months?

3. During a studio critique, a tutor questions every decision in your painting in front of the group. How do you react?

4. How do you feel about experimenting with techniques such as egg tempera, oil glazes, encaustic or mixed media on unusual supports?

5. You need to write an artist’s statement and a theoretical commentary for your diploma work. How do you approach it?

6. The programme is taught in English, and you’ll share studios and critiques with artists from many countries. How do you feel about that?

7. A gallery invites you to prepare a solo exhibition. What excites you most?

8. How often do you study old masters and contemporary painters, in galleries or in books?

9. Which future path sounds most like you?

10. What motivates you most to pursue a Master’s degree in Painting?