Graphics

1. You walk into a printmaking studio with etching plates, inks and a heavy press. How do you feel?

2. Do you draw in a sketchbook regularly?

3. A print comes off the press differently than you planned – the ink has smudged. What do you do?

4. How do you feel about developing a coherent series of works on one theme for an exhibition?

5. Would you combine traditional and digital techniques, for example scanning a linocut, editing it digitally and then screen printing it?

6. Studio critiques are held in English in an international group. How do you feel about that?

7. Your diploma includes a written part reflecting on your artistic practice. How do you approach it?

8. You have the chance to organise your own exhibition, from hanging the works to talking with visitors. How do you react?

9. A single multi-colour linocut can take weeks to finish. How does that sound?

10. What motivates you most to pursue a Master’s degree in Graphics?